professional experience

Returned in March 2024 to work with Picture Head and Picture Shop for several trailers and marketing projects for Cinemacon 2024, including: Trap, The Watchers, and the Lionsgate Studio Sizzle. Services included conform, online, VFX confidence checks, color, and final deliverables.

Contracted with creative agency Aspect to consult for archival finishing processes.

Led grading sessions for RealD 3D and Dolby Cinema 3D on Disney’s The Little Mermaid (2023).

Led grading sessions and delivered all assets for three TV shows, including One Piece (Netflix), Bodkin (Netflix), and Murder at the End of the World (FX)

Partnered with color science team to create and manage bespoke color pipelines for all projects.

Graded and delivered over 200 assets for Disney's Castle Logo 100 year anniversary redesign. 

Mastered and supervised reviews of trailer graphics materials for all Marvel Studios projects from 2018-2023. Titles include: Avengers: Endgame, Captain Marvel, Thor: Love and Thunder, and more.

Supervised grading sessions for scores of trailers for major studios and streaming networks including: Disney, Warner Bros., Paramount, Lionsgate, Apple TV+, Netflix, and more.

Worked directly with agency clients, cinematographers, and directors to achieve creative visions for brands including: Bose, Theory, Just Fab/Fabletics, Yes To, Diane Von Furstenberg, and Zegna.

Operated the company's first live grading session using virtual reality headsets, the first known offering of its kind in the industry.

Developed color and finishing workflows alongside VFX team for 3D immersive content, including VR, stereoscopic, cubical, and other nonstandard image aspect ratios.